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A poem from a Sea-turtle.
A poem from a Sea-turtle.

by kris in Narrative Poetry
Young Writers Society Forum Index » Romantic Fiction

This thread was created on January 26, 2008
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♥ Art Boy Goto page Previous  1, 2, 3  Next

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Kadie   View This User's Portfolio
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PostPosted: Fri Feb 08, 2008 7:37 pm    Post subject: Reply with quote

I'm sooo happy with the reviews for this. I havn't edited it yet but when i get round to it i'll be sure to post it. You guys are so helpful Very Happy You're awesome, thankyou Razz

And bookgeek, your critique was very in depth and positive and it really made my day. Thanks.
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Leja   View This User's Portfolio
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PostPosted: Sat Feb 09, 2008 6:12 pm    Post subject: Reply with quote

The one way to guarantee I (and, I assume, many others) don't want to read something is to put something cutesy in the title. Like a heart. Especially in Romantic Fiction. Just thought I'd let you know Wink And, sorry to harp on formatting things, but it's really better if you just post in normal text. The bolded words go kinda hard on the eyes sometimes.

Quote:
He has brown hair. Not dark brown, not light brown, something-in-the-middle brown. It’s not very long, but it’s not short either. It’s just long enough to be considered shaggy, or floppy even. It doesn’t have a particular style. It just kinda sits there, on top of his head, sometimes hanging in front of his eyes.


At the beginning of this I wanted to groan and say "just define his hair and move on already!" But then it ended with it just sitting on his head, and I thought that was cute, so I guess I'll leave off it. I will, however, say that the continuing description of every single facial feature this boy possesses is rather trying on one's patience and without it being interspersed with something tangible, like character development relating to personality or action, it reads exactly like an info dump. A well worded infodump, but an infodump all the same. I see you've ended it with "I suppose I should be embarrassed..." and that is nice in that it gives a reason for all that description, but I think it would be more effective were the description to be integrated into the story. Say there's a scene where she's watching him in the lunch line. That gives a reason for her to be noticing all these things because he's right in front of her. Anyone might have noticed him. But! she'd be the one who notices him the longest, who memorizes his every detail. And that would give description and character development while layering over story. At the beginning here, there's just the description, nothing to hang it on, you know? So I begin with the "why do I need to know this?" thought instead of the "man, that girl's obsessive" thought I think you were going for. Also, just his face is described? I don't know whether he's now tall or short or thin or stocky; if the narrator noticed all these things about his face, it would seem she'd notice other characteristics about him as well.

Quote:
For a whole year now we’ve been going to the same school; taking the same classes; even catching the same bus, and not once has he talked to me. It doesn’t bother me much, I’ve never made the effort to talk to him either.


This is a summary paragraph. As such, it does nothing to advance the action or the story. I vote you scrap it and integrate the feelings and ideas of it into the paragraph that follows it, where she's watching him on the bus. Actually, while she watches him on the bus might be a good time to introduce all that description about his physical features.

Quote:
It obviously can’t be that far away from me, but then again, I never see him out and about. I never bump into him on the way to the grocery store, or see him hanging around with friends when I’m out hanging around with friends.


Be careful about being redundant! The struck out phrase above just reiterates what the text around it shows. And it's always better to show rather than to tell!

In the part where she's sitting on the bus and he catches her looking at him, the pacing is perfect ^^

Quote:
Everything was suddenly made clear when he caught my gaze, smirked once more, and started moving up the aisle, towards me.


You might want to take another look at this sentence. It has passive voice in the "was suddenly made clear" phrase. I'd take the "made" out of that phrase as it's unnecessary and plodding. You might also want to break this into two sentences, the break coming between "caught my gaze" and "smirked once more" to increase the tension.

This section also includes a nice blend of dialogue and description/dialogue tags. I only wonder why no one else on the bus is watching this exchange? In my experience, when something like this happens, everyone wants to chime in. On characterization, the boy seems a little too prince-charming. Ex:

Quote:
“I’m not being an ass, I just wanted to know why you were staring at me,” he said lightly, not taking offense at all to me calling him an ass.


(take out "at all" because it's cluttering the strength of the sentence) He speaks lightly and is unoffended. Both those things are fine, but the impression given is that he just brushed them off, like he's too perfect to care about either of those things. It makes him seem haughty, and like he isn't a real person. Personally, I'd use a different word than "lightly" and I'd show how he didn't take offense. Maybe he rolled his eyes because he thought she was too juvenile for it to matter, maybe he shifted his posture to show that that was more important to him than replying to those statements. Both those things are 'tangible' visual ways that the reader can see he didn't take offense.

Quote:
“Um...ok,” I said a little hesitantly. What was with the sudden change? One minute he’s teasing me and acting all arrogant, the next he’s acting all nervous and letting me look at his art. Maybe he’s bipolar.


Lose the rhitorical question of "What was with the sudden change?" and "one minute.. the next" part. They're both cliches and as such, the narrator's voice becomes lost. The reader is taken out of the story.

Quote:
He handed me his sketch book, and if I’d have been paying more attention, I probably would have noticed that he was being a little reluctant about it, but I didn’t.


If she didn't notice, how can she later know he was reluctant?

And how did she know they were her eyes? I don't think I'd recognize my eyes. A whole face, yeah, or if there was some scar or birthmark on her eye, but just an eye? I don't know 'bout that one...

How was the boy taken aback? How does she know this?

Quote:
"It's ok," he said, for the first time giving me a warm friendly smile. "I stare at you too. I just try and be discreet about it."


End his phrase with "I stare at you too". The rest takes away from the impact. Don't overexplain the simplest things!

Quote:
I scowled at him, before the meaning of his words actually hit me. He stares at me. He stares at me, while I stare at him, because I like him, and he...he likes me?


Take out "the meaning of". It's overexplination of something that's understood.

How does he know she's asking "do you like me?" just by looking in her eyes? Maybe he had a pimple on his forehead or something Razz

The ending was too rushed. Here, before, there was all of this lovely description and such, and then it's like "okay, plot resolved, let's make out!" It's too rushed. I think an ambiguous ending might be better, actually, something like "... because I like him, and he... he likes me?/ Today I didn't get off the bus at my regular stop because he wanted to walk me home, the guy with the brown hair..." because the point is that they've realized they like each other, and you now want to finally resolve the conflict.

Yes, it's fluff, but it's actually pretty well written fluff, much better than I've read elsewhere! ^^

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GryphonFledgling   View This User's Portfolio
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PostPosted: Sat Feb 09, 2008 7:24 pm    Post subject: Reply with quote

There were quotation marks... Just not around the thoughts...

Awwwwww.... That was my first reaction to this story. It is definitely rather fluffy, but those are always good to read once in a while.

This was really cute. I've had my experience with staring at guys, and I always wished that this scenario would happen to me, but so far it has not. Lucky girl with her art boy. *pouts*

Great story. My only complaint is - echoing what everyone else has said - that the end came really fast. Noooo!

~GryphonFledgling

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fallenangel   View This User's Portfolio
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PostPosted: Sat Feb 09, 2008 9:43 pm    Post subject: Reply with quote

This is so cute! Oh my heck I love it. I could really see what was going on in the story, it has great potential. Please keep writing! Great job.

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Foreseer   View This User's Portfolio
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PostPosted: Sun Feb 10, 2008 7:51 am    Post subject: Reply with quote

Definately cute! I liked it a lot! It was pretty funny in some parts and that was good. Art guys are definately the best, as well as mysterious and quiet.(Two nice descriptive words, by the way.) I thought it was kind of short, but bus rides are always short. Razz Besides that I don't really have anything else to add. Wink

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PostPosted: Wed Feb 13, 2008 9:23 am    Post subject: Reply with quote

i love your story!

i love the way you describe the boy!

i bet he is really hot.

i wish this happens to me or something!
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PostPosted: Wed Feb 13, 2008 6:59 pm    Post subject: Reply with quote

Hey Kadie,

you absolutely saved my day with this! Now I feel all fuzzy inside.
I don't feel like going through this again and spoiling the fun of it by searching for errors and I didn't find any right away. I love this. Really.
I guessed, that he was drawing her pretty soon, but that didn't spoil it at all, because there was this moment of doubt, when they started talking to eachother. Wow. I really like this Smile

Keep it up!
~Kalliope Wink
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PostPosted: Sun Feb 24, 2008 9:55 pm    Post subject: Reply with quote

This is amazing! I stumbled across it and was like oh... right, but loved it! It's really great, honestly loved it! But I spotted this...

"he was always to busy drawing to notice me."

Shouldn't it be "too busy drawing.." I'm not sure though because I ALWAYS get mixed up with too and to, :S

But anyway amazing , really:)

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PostPosted: Fri Feb 29, 2008 5:28 am    Post subject: Reply with quote

Beautiful Story.
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PostPosted: Sat Mar 01, 2008 2:16 am    Post subject: Reply with quote

aahh I love this (:

The title didn't attract me that much, just to tell you, but the end of that first paragraph completely changed my mind.

I related so much to that character xD

Cutest story.

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PostPosted: Fri Mar 21, 2008 9:05 am    Post subject: Reply with quote

Again.. I loved it so much. I cant stop reading it over and over again!! ♥♥♥

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PostPosted: Fri Mar 21, 2008 11:55 am    Post subject: Reply with quote

AH! *motions for you to come by* *HUGS*

Such a butterflies-in-tummies initiator. Very Happy Swear I almost....almost fell for your art boy. Nice job at writing. Smile Hats off!

=maybe you could come by mine and R&R my works? ;p not a promising writer i am, but what the hell..Very Happy=

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Lyrical Anatomy   View This User's Portfolio
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PostPosted: Sat Mar 22, 2008 1:40 pm    Post subject: Reply with quote

I really love this story, I added it to my favourites on FP.

I love your description of "Art Boy", he's adorable. This story is adorable.
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Kadie   View This User's Portfolio
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PostPosted: Sat Mar 22, 2008 2:05 pm    Post subject: Reply with quote

I guess you guys must really be into fluff huh? Since you keep commenting Smile

Well thanks, i appreciate it. Tis a real confidence booster.

I'm working on my first serious full length novel at the moment, the first chapter/prologue should be posted soon.

It will contain lots of fluff and lots of funny scenes so i think you'll like it.

I'll let you know when it's posted :p

Thanks again.
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PostPosted: Sat Mar 22, 2008 4:11 pm    Post subject: Reply with quote

You write stories like this and you've only got one star?!?!?! I loved your story and I think you should be at least a speaker of the forum person;)!! Seriously loved this story! You need to continue to write more of this! 0(o.o)0

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