Stop The Scrolling Header | Enable the Scrolling Header

Young Writers Society
News:  

Must Read: No Chat-Speak

Happy Thanksgiving!
Username:    Password:      Log me on automatically each visit    
origin of symmetry
origin of symmetry

by Margaret Louise in Lyric Poetry
Young Writers Society Forum Index » Other Fiction

This thread was created on May 28, 2008
Post new topic   Reply to topic
Digg It Del.icio.us


The Red Box

Topic ID: 30796
View previous topic :: View next topic  
Author Message
Black Ghost   View This User's Portfolio
Life Is Sexually Transmitted
Speaker of the Forum

276
Gender: Gender:Male
Age: 17
Joined: 04 Feb 2006
Posts: 986
Reviews: 276
Country: The Edge of Inspiration
300 Points

PostPosted: Wed May 28, 2008 7:00 pm    Post subject: The Red Box Reply with quote

"I'm afraid there's nothing more we can do for you."

"What do you mean?"

Dr. Carmen took off his glasses and slowly massaged his eyes. He sighed deeply as he replaced them, and proceeded to spread out the stack of papers on the table in front of him.

"Clarissa, besides what we've already tried, there doesn't seem to be anything else we can do to help get your memory back." Dr. Carmen looked grave. "You have an extraordinarily rare case. Most people can at least recall some previous experiences, but you seem to have no memory whatsoever."

Clarissa shook her head. "Can't you give me some shock to the head or something? You know, try to jolt it all back?"

"I’ve told you before, it doesn't work that way," said Dr. Carmen. "Clarissa, there is no damage to any part of your brain that we can find. Your memory has been erased without leaving any tangible clue as to why. As far as we can tell, it could be gone for good."

Clarissa opened her mouth to say something, but no words came out. Instead she stared blankly at the stack of papers spread out across the table before her. She wasn't even sure that Clarissa was her real name. When they had found her in the alley, it was the first name that came to mind. But she couldn't be sure that it belonged to her. She couldn't be sure of anything.

Dr. Carmen sighed again. "Look, Clarissa. Maybe you should go on and try to live life normally for a while. You have no trouble forming new memories, and in time maybe your old ones will come back on their own."

Clarissa continued to stare at the table. "But what if they don't?"

Dr. Carmen paused. "Then you're going to have to accept that as a possibility," he said after a few moments. "The worst thing that could happen is that you'd have to start your life over again from here."

"But how?" she said sharply, looking up. "They never found any of my family. I don't have a job. You make it sound like it’s something easy."

The steady hum of the air conditioner filled the silence that ensued. Clarissa switched her eyes back to the table again, and Dr. Carmen leaned back and rubbed a hand over his face. After a while something seemed to light up in his eyes, and he suddenly took a pad of paper from his desk and began to scribble something across it.

"There's only so much I can do for you at this point,” he said while writing. "But if nothing else I can at least give you this." He ripped the piece of paper of the pad and held it out folded to Clarissa.

Clarissa looked at him strangely as she took it. "What is this?"

"Just read it," he said.

Clarissa carefully unfolded the piece of paper. In the doctor's cramped, scribbled handwriting she could make out three words:

THE RED BOX

Clarissa frowned. “I’m not sure I understand what this is," she said slowly. "What am I supposed to do wi—" Her words stuck inside her throat mid-sentence. Something about Dr. Carmen had changed. He no longer bore that same old tired look that he had worn ever since Clarissa had started meeting with him. He now had a stone faced expression, his eyes gazing dead ahead and right through her. His jaw was loose, and his lips separated a fraction of an inch. He appeared almost lifeless.

"Dr. Carmen?" she said hesitantly after swallowing.

The doctor's soulless eyes continued to gaze forward, unwavering. Clarissa even went as far as to slowly wave her hand back and forth in front of his face. Nothing.

"Doctor, can you hear me?" she said, a little terror lining her voice. Still no response. His face was almost solidified. Frozen.

And the more he stared the more Clarissa was filled with dread.

"Doctor?" The trembling in her voice was now unmistakable. Soon she even imagined that some gripping force was coming over her from across the table.

Clarissa suddenly jerked out of her chair, her eyes fixed on Dr. Carmen's frozen body. Grabbing her purse, she walked briskly past the table and out through the office door. Her heels clicked loudly as she made her way stiffly down the hall. A sliver of calm went through her as she neared the receptionist’s table. The receptionist beamed as Clarissa set her purse down on top of the counter.

"Excuse, I think something may have happened to Dr. Carmen," she began, quickly glancing back down the hall. "I was just sitting there, and all of a sudden—" Clarissa experienced that same sensation of her words suddenly falling back into her throat. The receptionist's face was locked into her widened smile, and her manicured hands hovered inches above the keyboard, her fingers mid-stroke.

Frozen.

Clarissa burst out of the clinic’s large glass doors and out onto the city street. She was shaking uncontrollably, and didn't dare look back at the smiling mannequin in the lobby. Without thinking she near sprinted across the parking lot to her car. Frantically, she pulled out her keys and got inside. She quickly inserted a key into the ignition and turned it. Nothing happened. She turned it a second time. Not even a sputter.

Clarissa slammed a white knuckled fist onto the steering wheel. A blazing horn shattered the air around her. It resonated among the nearby buildings as she fell back into her chair, breathing heavily. She shut her eyes and tried to navigate through the sea that swam inside her mind. Both the images of Dr. Carmen and the receptionist were burned into her vision forever. These were now the memories she would someday look back on. Clarissa felt sick to her stomach.

As she sat there breathing, Clarissa slowly became aware of a crumpled piece of paper held tightly in her fist. She opened her hand and found it to be the same strange message that Dr. Carmen had given her. Clarissa didn't remember taking it with her.

She closed her eyes again. The red box? She couldn't fathom what Dr. Carmen had intended for her with this message, and frankly, she didn't care. All she felt like doing was driving out of his part of town and back home. The idea of her lonely apartment never seemed so inviting until now.

She tried turning the key again. Still nothing. With a heave of reluctance, she stepped out of her car and shut the door behind her. The outside air carried a chill breeze that caused Clarissa's skin to tighten with goose bumps. And it wasn't the only thing. In her rush she hadn't noticed what the other people were doing in the parking lot. A man not twenty feet in front of her was halted mid step in the street aisle, his left foot stuck inches above the floor. Even his tie was frozen as it flapped behind his neck.

There were others around Clarissa as well. A woman with a red scarf was stuck in a squatting position as she tried to sit down inside of her car. A man to her left was three-quarters of the way pulling out his space, with his head still turned and eyes gazing through his back window.

Another woman stood a couple of aisles across with a stern look on her face as she perpetually checked the time on a wrist watch that no longer ticked. As Clarissa made a silent three-sixty from where she stood, there could be seen at least half a dozen more human statues scattered across the lot.

A large knot tightened painfully in Clarissa's stomach. Her breath came out in gasps, forming puffs of vapor that quickly escaped with stinging breeze. Her fingers dug deep into the sleeves of her clothes.

Everything, everyone around her was still and lifeless. Everywhere Clarissa turned there was another statue. She felt as if they were crowding around her, boxing her in. She held onto her clothes tighter as she shut her eyes forcefully, trying to block out their presence. The thought of them standing there, literally frozen in time, smothered her.

She was alone.

***

The streets were lifeless and cold. The biting wind continued to blow unrelentingly against Clarissa's stiff and trembling body as she walked along the street just off the sidewalk. She couldn't bear to come face to face with all the zombie-like beings that she came across from time to time.

The office where she came to see her psychiatrist sat in a relatively still part of town. Every few minutes a lone car flew across one of the streets, and then silence reigned again. But that was on a normal day. Today seemed curiously busier, with at least a few dozen cars rooted to the ground, and people filling every sidewalk.

Clarissa tried not to look up. There was something so unsettling about them; it made her feel as if there were insects gnawing at her from the inside out. She kept her eyes to the streets as often as possible.

Her legs were starting to ache. She had been walking for what seemed like hours. Clarissa was trying to make her way back to her apartment. But it was miles away. The sun stayed frozen in its place above her in its early morning position. Every time she checked above her the sun hadn't moved. At least she wasn't worried that it would get dark before she made it home.

But the perpetually cold air was starting to sink into her bones; even her constant walking couldn't warm her enough. Besides her thin jacket and jeans, she only had an old scarf to wrap around her. Clarissa hadn’t expected to stay too long at the psychiatrist; she knew it was just going to be the same old prognosis that they gave her every week.

Clarissa trembled from the shoulders up. Her memories were the least of her worries now.

As she turned a street corner Clarissa was suddenly met with a mass of people all huddled near each other. She decided at first to just go ahead and walk around them, but as she came closer and closer she couldn't help wonder what they could all be staring at.

She stopped in her tracks and turned to face the small crowd. For a small while she just stood there, trying to put aside her fear of them. They were just people after all. Frozen people.

Clarissa hesitantly stepped to the edge of group, and after a deep breath began to wedge her way in between the rigid bodies. Not able to avoid rubbing against them, she noticed how very warm they all still felt. There were still living people inside them. If only slightly, this thought comforted her.

Soon Clarissa had woven her way through them all. She now stood in a small semicircle of a gap to which all had their attention fixed. As she looked at their faces for the first time she found looks of surprise and those who appeared in mid-gasp. A few women had their hands clamped around their mouths, wide-eyed. Something startling had taken place.

Clarissa looked around the small circle of people, and found that most of them were looking to a bright young man standing amongst them. He was pointing to the window of a clothing store display a few feet away. Clarissa walked across to the window, and saw groups of playing cards scattered across the sidewalk beneath it.

One of the cards seemed to remain stuck to the window. It had someone's signature scribbled across its face. Clarissa looked closer. It was the Ace of Diamonds. She reached her hand out to scrape it off of the window. Her hand met nothing but glass. The card was stuck to the other side.

Impossible.

Something light and bubbly stirred inside her as she turned over the notion in her head. She let the feeling rise up and fill her head, drain over her face, and resonate over her entire body. Clarissa felt real. This one shred of strangeness had emptied her mind of everything, and for one fleeting moment she just felt.

Clarissa tried to soak it in. She breathed deep and wrapped her scarf more snuggly around her neck. But as she turned her head something hit her smack dab in the face.

She stumbled back as it whipped across her whole face, and her head smacked hard into solid concrete. Clarissa inhaled sharply as she grabbed the back of her head. With her free hand she pulled away the piece of paper that had flown into her face, hot tears forming in her eyes.

As she rubbed her sore cranium, the front of the paper came into view. Clarissa recognized it as an ad. But as she read the bold-faced lettering, her throbbing head seemed to become nothing more than a distant worry.

THE RED BOX CAFE

COME DINE OUT AND HAVE A NIGHT TO REMEMBER!

On the Corner of Elephant and Kings.

***

Clarissa made her way briskly down Elephant street. Thoughts were racing through her head at a rate nearly too fast to keep up. She no longer paid any attention to her numbing skin or aching feet. Only three words held her attention now. Red Box Cafe.

Night to Remember

Clarissa was sick to her stomach from all that had happened so far, but it was nothing compared to the feeling that this could all be a set-up for her. After all, she was the only who wasn't frozen. Then another dark lump settled into her stomach. What if she was just crazy? What if she hadn't only lost her memories, but her sanity as well? She could imagine herself now, still sitting in Dr. Carmen's office, convulsing with hallucinations on the floor. She tried to push the thought away. It didn't seem possible that she was just imagining this. Then again, none of this seemed possible.

All she knew for sure is that she needed to get to the Red Box Cafe.

She was on Elephant street, but she didn't know how long it would be before she met up with Kings. It had taken her nearly an hour to find Elephant in the first place. She had gone way off track to her own home, and she wasn't exactly familiar with this part of the city.

On her way she passed a small church that was crammed amongst the tall buildings. A large cross stood tall atop its roof, shining in the morning light. The neatly cut grass in front gleamed with morning dew. Across the side of the front wall hung a wide banner. Its gold letters stood out brightly against the dark red background.

Hope

Clarissa quickened her pace. There were answers waiting for her at the end of this street. She couldn't afford to believe any different. A Night to Remember. Something was willing her to go there. An invisible force was constantly nudging at her back, keeping each step coming one after another. What the cafe held, she couldn't know for sure, but she knew that no matter what, she needed to get there. It was the only hope she had left.

Clarissa halted. She had come to a large, barbed wire fence. It stood ten feet tall between two apartment buildings, its rusted spikes looming ominously above the street.

Elephant Street had come to a dead end.

Clarissa paced back and forth across the street, trying to see past the empty lot beyond the fence. Her hands shook as she walked. She was desperate to find the right way. Kings Avenue couldn’t be too far now. A heavy wall blocked the far side of the lot. She couldn't see past it, but it was possible the street continued somewhere beyond there.

Clarissa looked to the buildings surrounding the lots. They seemed to be old apartment complexes. Paint was peeling and crusted all across its exterior, and the color of each balcony varied with the amount of rust present. There had to be a back door that led to the other side of the street.

Clarissa sprinted to the nearest apartment door in the corner of the alley. Number 297. She tried the knob, and to her surprise, it swung open.

Carefully, she stuck her head just inside the apartment, trying to look over the corner into what she imagined must be the living room. It's not that she expected anyone to be there; that is, anyone who wasn't a living statue.

After a few silent moments she stepped into the room, and suddenly found herself amongst a family. But it didn't seem to be breakfast time just yet.

A tired old woman sat hunched over the couch. With grave eyes and tear stained cheeks, she had her eyes fixed to carpet floor. Her husband loomed over her, his hands looking as if they had been waving wildly. His face was contorted with a mixture of hate and rage.

Clarissa felt rooted to the floor herself. Two small girls were huddled in the corner with their heads buried into their laps. A third was hanging from her father's trouser leg, her eyes closed tightly and mouth pulled back in a howl.

The scene mortified her. It all seemed so pointless, so ignorant. Clarissa wondered if anything like this could be a part of her past. To the best of her knowledge she could have been worse off than these three little girls. Clarissa knelt down besides the one grabbing at her father’s clothes. Her face was stretched into an expression of grief beyond her years.

Clarissa’s face grew hot. She was helpless to save them. If time ever continued, they would still be in the same position, the same life. If only she could leave them something. Without another thought, she went into kitchen and began searching through the drawers. Soon she found the pen and paper she needed. With tears running down her cheeks, she wrote. Then she carefully put the pen back in the drawer and folded the piece of paper into the smallest little square possible.

She took the paper and placed it with the mother, squeezing it into the loose fist that hung by her leg. Getting up, Clarissa took one final look around and then silently headed for the back door.

Light flooded back into her vision as she swung open into the streets. A few scraps of trash blew around the asphalt in small tornadoes. Dust kicked up around her feet as she stepped out into the open to get a better look at where she was.

Her heart soared as the corner street signs came into view. Elephant and Kings. And there it was. In bright neon lettering across the top of the first building were the words Red Box Café. All four walls were painted a deep red, so that it literally resembled a little colored box.

Without knowing it Clarissa had already begun walking towards it. Her heart was pounding inside of her chest, and her throat was dry. The letter “R” in the neon sign flickered on and off as she came closer. The whole place seemed to grow larger with every step she took, and the contrast of the red against the gray of the buildings beside it became increasingly darker and pronounced.

Soon the tinted glass door was inches away from her, its long black handle begging to be pulled. A buzz shot through her as she reached her hand out. This was it. Something had to be there behind this door. Something, anything.

And she opened it.

A musty smell of old table coverings filled her nostrils. The floor felt slightly sticky beneath her shoes, and a bell rung as she shut the door. A little dust hung in the air around her. The restaurant was empty. The register stood unattended by the far wall, with specials hung up on a board behind it. It looked as if no one had eaten there for months.

Clarissa slumped down onto one of the white plastic chairs by the door. She took her head in her hands, and breathed a deep sigh. All at once the ache in her legs caught up with her, and an overwhelming sense of fatigue came over her.

Nothing, she thought bitterly. Absolutely nothing.

“Can I help you?”

Clarissa jumped. She clamped a hand over her mouth to stifle a scream. Before her stood an elderly looking man, dressed in a ridiculous looking red uniform from head to foot. “I’m sorry to startle you, ma’am,” he said sincerely. “Welcome to the Red Box Café. Can I get anything for you?”

Clarissa sat motionless with her hand still over her mouth, staring at him. He was moving. A walking, talking, moving person. But how?

“Are you alright?” he asked, his bushy white eyebrows furrowed in concern. “You look tired. Do you need anything?”

Clarissa gulped. “How are you here?” she managed to croak.

“Ma’am, I work here. Now can I get you anything, or would you like to peruse our specials?” He gestured to the board behind him. “Let’s see here, we have our Breakfast Deluxe. That comes with eggs, bacon, hash browns, all the good stuff. And then we top it off with a stack of pancakes.” He smiled brightly, but Clarissa’s stupefied expression hadn’t changed. “Or,” he said quickly, “I can whip you up some French toast with our special strawberry butter. I can tell you, it’s quite delicious. We also have steak, hamburgers, fried shrimp, memories, and even ice cream if you’d like.”

“What did you just say?”

“I said we have some ice cream if you’d like,” the old man continued. “But it is early morning, so I’m not sure if it’s the best thing to have at the mo—”

“No,” Clarissa cut him off. “I mean, did I hear you say memories?”

“Oh. Yes,” he said, smiling even brighter. “Freshly cooked and seasoned, ready to serve in minutes. It’s actually one of our more popular items.”

Clarissa’s heart started to beat fiercely again. “I think I’ll try some,” she said in a haze.

“Coming right up,” he winked. With that the old man quickly disappeared behind the kitchen doors.

Silence. Clarissa felt her blood pulsating against the inside of her skin. Her palms began to sweat, and as she glanced towards the kitchen, she imagined the old man would never come out. What if she had just imagined him? This shouldn’t be happening. Everyone had been frozen. How could this simple old man still be perfectly normal, and completely oblivious to the fact that it had been early morning for the past several hours now?

And then she heard it. The steady ticking of the small, box shaped clock on the wall above her. Tick, tock, tick, tock, tick, tock. Time moved here.

The kitchen doors swung open again. The funny looking old man came back rolling a small cart with a silver domed plate on top. He still wore that ridiculous smile as he walked over to her.

“A fresh plate of memories for the lovely lady,” he said, handing her silverware wrapped up in a napkin. “I hope you like it. I made this plate entirely from scratch.”

The silver dome gleamed dully from the near burned out lights above. Clarissa leaned closer, and slowly grasped the lid’s handle. It was cold to the touch, and slightly oily.

“Be careful now,” he added. “Every plate comes out different. You may not get what you want every time.”

Clarissa shot him a glance. He had a knowing look in his tired old eyes. She smiled.

“It’s better than nothing.” The lid was pulled off.

All turned white.


_________________
"...(smile)..." ~ Paul Harris

Hauntings - A Critique Shop


Last edited by Black Ghost on Tue Jun 03, 2008 1:37 am; edited 1 time in total
Back to top
View user's profile Send private message AIM Address MSN Messenger
Ten Sweet Bliss   View This User's Portfolio
Junior Writer

13

Age: 16
Joined: 28 Jan 2008
Posts: 44
Reviews: 13
Country: Jupiter
300 Points

PostPosted: Wed May 28, 2008 10:24 pm    Post subject: Reply with quote

Great hook sentence. It immediately grabbed my attention. I especially like how you didn't really specify who was speaking, but you still made it obvious to infer who was. The brevity of your use of the anonymous dialogue is awesome in account with the rest of the dialogue. Did I mention you're extremely good at writing dialogue properly?

Quote:
Dr. Carmen took off his glasses and deeply massaged his eyes. He sighed deeply as he replaced them...


Simple case of repetition of "deeply." Personally, I suggest you change the first one since it doesn't complement its respective verb as well as the "deeply" after it--if that makes sense?

Quote:
Instead she stared blankly at the stack of papers spread out across the table.


I feel this sentence would be more fulfilling if you added where the table is located in relation to Clarissa. It's not necessary though, I don't think.

Quote:
"But how?" she said, looking up.


Could you describe her facial expression/tone of voice here or somewhere near this sentence? It'd help set the mood better as well as give us a glimpse into her head.

Quote:
...and Dr. Carmen leaned back and rubbed a hand over his face. After a while something seemed to light up in Dr. Carmen's eyes, and he suddenly took a pad of paper from his desk and began to scribble something across.


Replace the second "Dr. Carmen" with "his," and add something along the lines of "it" or "the frail surface" after "scribble something across." I'm suggesting the last part because leaving the sentence off at "across" left me with a very awkward, anxious feeling. (Basically, I thought, "Across what?!!! I must know!!!!!") I know this is getting very picky, but the sentence does sound rather odd without a righteous ending in my opinion.

Quote:
Clarissa frowned. “I’m not sure I understand what this is," she said slowly. "What am I supposed to do wi—" Her words stuck inside her throat mid-sentence. Something about Dr. Carmen had changed. He no longer bore that same old tired look that he had worn ever since Clarissa had started meeting with him. He now had a stone faced expression, his eyes gazing dead ahead and right through her. His jaw was loose, and his lips separated a fraction of an inch. He appeared almost lifeless.


Everything that happens in the above paragraph is so well written--it certainly arouses suspense.

Quote:
"Excuse, I think something may have happened to Dr. Carmen," she began, quickly glancing back down the hall. "I was just sitting there, and all of a sudden."


Try replacing the period at the end with a hyphen to indicate that she's cutting herself off.

Quote:
Both the images of Dr. Carmen and the receptionist were burned into her vision forever. These were now the memories she would someday look back on. Clarissa felt sick to her stomach.


Awesome parallelism with her memory-loss! Smile

Quote:
As she sat there breathing Clarissa slowly became...


There should be a comma after "As she sat there breathing..."

Quote:
All she felt like doing was driving out of (t)his part of town and back home.


Consider adding "returning" or "going" before "back home" so it doesn't sound like she wants to drive out of "this part of town" and "home" as well."

Quote:
The biting wind continued to blow unrelentingly...


Quote:
Clarissa hadn't expected to stay too long at the psychiatrist;


Quote:
Something light and bubby stirred inside...


Simple typo: "bubbly."

Quote:
What the cafe held, she couldn't know for sure, but she knew that no matter what she needed to get there.


Place a comma after "no matter what."

Quote:
He still wore that ridiculous smile as he rolled over to her.


He's not literally rolling over to her I assume. Smile

Quote:
All turned white.


I'm not sure if "all" functions better here than "everything," but that's totally up to you.

Overall, I am amazed and completely astonished to read something so creative and obviously thought-out. All of the events relate to one another, and the tone never ceases to dull. This is something to be proud of. Congratulations!

Good luck and if you have any questions or memories (sorry, I HAD to put that in there), please don't hesitate in contacting me.

_________________
Holy cow... Niagra Falls... has stopped flowing...
-- Jared Leto
Back to top
View user's profile Send private message
GryphonFledgling   View This User's Portfolio
It's elementary...
Speaker of the Forum

471
Gender: Gender:Female
Age: 17
Joined: 30 Dec 2007
Posts: 810
Reviews: 471
Country: Baker Street
650 Points

PostPosted: Wed May 28, 2008 11:02 pm    Post subject: Reply with quote

Really, really great. It wasn't what I expected at all and it was wonderfully written.

I was a little confused about the card on the window, though. Maybe I'm missing something, but I didn't quite get it. Is the young man a street magician that she just happened to catch in the middle of his act, or is he something more significant? Am I just overthinking it?

Quote:
her throbbing skull became the least of her concerns.


Earlier in the story, you mention her lack of memories being the "least of her concerns." The phrase is a little repetitive. I'd change it to something else, or just cut it.

But otherwise, this was awesome. I think Ten Sweet Bliss caught most of the other grammatical errors, so I won't bother repeating them. Very nice stuff this...

*thumbs up*

~GryphonFledgling

_________________
Ink is the strongest drug, the deepest ocean, the longest journey and the strangest love. ~me

Jareth/Sarah shipper...

Kickin' butt and not stopping to take wordcount. NaNo 2008! Read my novel here!
Back to top
View user's profile Send private message
Black Ghost   View This User's Portfolio
Life Is Sexually Transmitted
Speaker of the Forum

276
Gender: Gender:Male
Age: 17
Joined: 04 Feb 2006
Posts: 986
Reviews: 276
Country: The Edge of Inspiration
300 Points

PostPosted: Wed May 28, 2008 11:11 pm    Post subject: Reply with quote

Quote:
Is the young man a street magician that she just happened to catch in the middle of his act


That one ^_^. You see, I wrote this for a reflection project in my psychology class, and I decided to put things in that reflected me. I love magic, so there ya go. And thanks for the critique by the way.

BlackGhost

_________________
"...(smile)..." ~ Paul Harris

Hauntings - A Critique Shop
Back to top
View user's profile Send private message AIM Address MSN Messenger
Suzanne   View This User's Portfolio
won NaNoWriMo!
Writer of Legend

1754
Gender: Gender:Female
Age: 18
Joined: 21 Sep 2006
Posts: 7088
Reviews: 1754
Country: Riverbluff, MO
1160 Points

PostPosted: Thu Jun 05, 2008 3:55 pm    Post subject: Reply with quote

Hello! Sorry this took me a while to get to. The length scared me? But I really wanted to read it. ^_^

Quote:
Instead [comma] she stared blankly at the stack of papers spread out across the table before her.


Quote:
She wasn't even sure that Clarissa was her real name. When they had found her in the alley, it was the first name that came to mind. But she couldn't be sure that it belonged to her. She couldn't be sure of anything.
Even though this is telling, it doesn't come off as horrible telling, which is good! I would just like to see it through more of a "Clarissa" filter. More panic, or worry, or something. It seems to detached, and I want to feel what she feels.

Quote:
"But how?" she said sharply, looking up.
I'd really like to see you cut out sharply. For one thing, I can't be sure what you mean by it. I'd rather see you express her feelings through only her words, or through a physical action. Does she start to cry? Or if she is neutral of all feelings, maybe she does something disturbingly calm, like folding her hands together in the way people do when they discuss things, rather than taking the tense position of someone who is worried.

Quote:
He ripped the piece of paper off the pad and held it out folded to Clarissa.
Either cut out "folded" or you're going to have to say: and held it out, folded, to Clarissa, because it doesn't fit where you have it.

Why would the doctor fold it anyway if she is just going to open it seconds later? It seems unnecessary to me, even if there is some secretive reason for the folding, it is a rather superfluous action.

Quote:
Something about Dr. Carmen had changed. He no longer bore that same old tired look that he had worn ever since Clarissa had started meeting with him. He now had a stone faced expression, his eyes gazing dead ahead and right through her. His jaw was loose, and his lips separated a fraction of an inch. He appeared almost lifeless.
This is weird for me as a reader because I don't know what he looked like before, and you're telling me what he looked like before. and then you're description of what he looks like now... I think the word "stone faced expression" is what through me off because all I could see was him having a face of stone (quite literally) rather than the expression you meant for him to have, and from there it continued to be hard to imagine, for me.

Quote:
"Doctor, can you hear me?" she said, a little terror lining her voice
Like before, show me her terror, don't just tell me it's in her voice.

Quote:
Soon she even imagined that some gripping force was coming over her from across the table.
This is too abstract. I'm sure she can feel it, but I can't, and since all her terror is in telling, not showing, I can't believe she's terrified, and I can't believe she feels a force, and it all seems rather ridiculous. (Not me making fun of your writing. ^_~ I love it! More so, just making the point.)

Quote:
Her heels clicked loudly as she made her way stiffly down the hall.
Sometimes adjectives are nasty. I think these ones are nasty. I love metaphors - that just me - but why not try a metaphor instead of "loudly". Loudly is a bland word, anyway. And, I just don't like the way "stiffly" sounds, because I know you could say something so much better.

Quote:
Clarissa burst out of the clinic’s large glass doors and out onto the city street.
Burst is a real violent word. Really, I had to keep myself from imagining her blowing up through the clinic doors.

Quote:
She was shaking uncontrollably
I don't particularly like this, because it isn't anything new to say. Lots of people shake uncontrollably. How can you describe her fear uniquely?

Quote:
Without thinking she near sprinted across the parking lot to her car.
In general, I think you could rewrite this. It sounds too robotic, perhaps, I want more personality in it. "She sprinted across the parking lot to her car, not caring if someone was about to back up, or drive in, or run right over her." It gives more threat of death than your sentence did, more suspense, and tension.

Quote:
Frantically, she pulled out her keys and got inside.
I'm just being nit picky, but frantically does not raise the tension for me. Laughing

Quote:
The sound of a blazing horn shattered the air around her.


Quote:
Both the images of Dr. Carmen and the receptionist were burned into her vision forever.
I think "burned" gives the feeling of permanence well enough, so that forever seems redundant.

Quote:
As she sat there breathing, Clarissa slowly became aware of a crumpled piece of paper held tightly in her fist. She opened her hand and found it to be the same strange message that Dr. Carmen had given her. Clarissa didn't remember taking it with her.
Not only do I think "As she sat there breathing" sounds bizarre and can be rewritten, but this whole paragraph seems hokey and unbelievable to me. I know she was panicked, but how do you not realize you're holding something? And to go "Oh, what is this crumpled piece of paper I am holding?" Even if she forgot she was holding it, as soon as she noticed it she would know what it was. I just find it silly that she just then "became aware" that she was holding something. Maybe I'm strange, but it's skeptical to me, at best.

Quote:
The outside air carried a chill breeze that caused Clarissa's skin to tighten with goose bumps.


Quote:
The outside air carried a chill breeze that caused Clarissa's skin to tighten with goose bumps. And it wasn't the only thing. In her rush she hadn't noticed what the other people were doing in the parking lot.
I don't particularly like how these sentences are punctuated. Perhaps a colon after "and it wasn't the only thing"? I'm not sure.

Quote:
There were others around Clarissa [comma] as well.


Quote:
A man not twenty feet in front of her was halted mid step in the street aisle, his left foot stuck inches above the floor.
Generally people call the outside "ground" and the inside "floor". Very Happy

Quote:
A man to her left was three-quarters of the way pulling out his space out of his parking space, with his head still turned [comma] and eyes still gazing through his back window.
First change for clarity, it sounded weird. the other changes were to make it sound better, and I added parallelism with the word "still".

Quote:
Another woman stood a couple of aisles across with a stern look on her face as she perpetually checked the time on a wrist watch that no longer ticked.
I think "continually" would work better than "perpetually", and unless that is Clarissa's guess that the watch isn't ticking, or she is close enough to hear the lack of a tick, cut it. For the most part, we're only in her pov, and I can only see what she does.

Quote:
As Clarissa made a silent three-sixty from where she stood
Not only does this sound slightly cliché, the bigger problem is that your so technical about it. Why not "She turned around in the lot" or something? The technicality of it is bizarre.

Quote:
Her breath came out in gasps, forming puffs of vapor that quickly escaped with stinging breeze.
I don't really understand the escaped part. It should be "with a stinging breeze" but at the same time I don't even understand why/how it is stinging. It's the cold air, of course, but you're talking about it touching her breath, not her skin, and unless Clarissa can feel what her breath feels... you get my point.

Quote:
Her fingers dug deep into the sleeves of her clothes.
I don't get this either.

Quote:
Everything, everyone around her [comma] was still and lifeless


I find it a bit ironic that after finding her doctor had froze,she wanted to go to her "lonely apartment" for comfort, but now that she is alone she's scared? interesting...

Well! While I'm at the break here, I'm going to go over some major points I noticed in the first part, so I don't have to try to remember it all later.

WHERE, OH, WHERE IS MY...WHAT?

Setting! I could completely slap you. Your story lacks setting. You start immediatly with dialogue, and I, as a reader, have to assume you're in a doctors office. Ok, so, that worked out fine. So why do you need setting?

Setting is so important, and doubly so in a story like this. You can use the setting to parallel the feelings of characters. Perhaps the room is bland, or too colorful, or cold. Descriptions of settings help to set the mood, and will back up that rise in tension that you're trying to create. It will also get rid of the stilted dialogue, dialogue tag, action that you have going in the first bit - though not bad, it could use some life. I thought the way you immediatly sucked us into the story wasn't bad, but I still wanted setting. You can do so many amazing things with it. Foreshadowing is something else you can do. Maybe Clarissa looks around the room while talking with the doctor and notices the clock on the wall has stopped ticking. You can use the description of drug advertisements that one often finds in doctors office for a bit of humor, and perhaps even for a darker tint. Really, seeing an add for depression medication is sad. I cannot stress how much you need a setting in this story, not only to clarify where the characters are, but to further ground the mood and theme of what you are writing. It isn't bad without it, but I feel it could be so, so much better with it. It feels, as is, that it's missing another layer.

TERRIFIED, SHE SHIVERED

I kind of went over this earlier, but you don't do amazing at making the tension rise. You don't fail entirely, but some of the things you say sound too scientific (360 degree turn), too unbelievable, or it simply doesn't make me feel anything (adjectives). Instead, try to get more into Clarissa. Consider senses, and try to explain how she feels more vividly, rather than just what she sees, and how she shook, and how scared she was. You can tell me she was scared, and you can show me all the frozen people, but if I, too, don't feel scared, I don't care all that much.

Maybe the town is usually noisy, filled with people talking - when she comes out of the doctors office the first thing she notices is the overwhelming silence, pierced only by the hum of automobiles in the distance. She doesn't yet realize why everything is silent, but a change of setting from he norm to the unusually is stirring. (This works better than the doctor's face changing from normal to unusual because we can all imagine a city with lots of people, and we all imagine a quiet city as being scary. On the other hand, we have no idea who the doctor is)

That's just one example of what you can do, but I think if you loaded it with more senses (not just sight! Taste, touch, smell, sounds) then it would be a lot more powerful for the reader.

On to the other part!

Quote:
The biting wind continued to blow unrelentingly against Clarissa's stiff and trembling body as she walked along the street just off the sidewalk.
I don't really like this sentence. I'm not sure if it is because I don't like the word 'unrelentingly" or because it seems so long. Starting at "as" your description gets long winded, again more technical (telling us exactly where she is) rather than artful.

[qutoe]She couldn't bear to come face to face with all the zombie-like beings that she came across from time to time. [/quote] This is weird. I think if she couldn't stand it she would find somewhere to hide so she wouldn't have to constantly see them. Instead, she just keeps walking around with them? And it's just bad construction which makes it sound weird. "She couldn't bear to come...that she came across." See what I mean?

Quote:
The office where she came to see her psychiatrist sat in a relatively still part of town. Every few minutes a lone car flew across one of the streets, and then silence reigned again. But that was on a normal day. Today seemed curiously busier, with at least a few dozen cars rooted to the ground, and people filling every sidewalk.
In general I don't like this, because you describe the town as it was before we know you aren't talking about now. So I get an imagine to my head as to what I think is now, but then you say "Nope, it's like this now." Plus, those things are kind of hard to imagine. I'm not sure what I'm supposed to be seeing. Additionally, watch out for the adjective monster!

Quote:
Clarissa tried not to look up.
"Clarissa didn't look up." is stronger.

Quote:
it made her feel as if there were insects gnawing at her from the inside out
Insects eating away ones stomach is a common feeling associated with fear. So common, I can't really feel anything when I read this. Try to go farther with it than just one line: She could feel them crawling through her stomach, the small legs tickling her insides. Where, normally, nothing would be felt, she swore she could feel something climbing up her esophagus, a beetle hoping to use her throat as an exit door. She swallowed to keep the disgusting thing down. Isn't that a lot more disturbing? I think so.

Quote:
She kept her eyes to the streets as often as possible.
This makes the previous statement of trying not to look up (or not looking up, as I put it) contradictory. I think instead of "streets" you should say "ground" so that way we know she is looking to her feet. When someone is looking to the streets I think they are look ahead of themselves, you know?

Quote:
Clarissa was trying to make her way back to her apartment [comma] but it was miles away.


Quote:
The sun stayed frozen in its place above her in its early morning position.
This sounds weird, I think it's the double "in"s. Either: "The sun stayed frozen in its place above her." or "The sun stayed frozen in its early morning position." You pushed the two together, and unless rewritten, it doesn't work.

Quote:
Every time she checked above her the sun hadn't moved.
From what you said before this, obviously. Don't be redundant in your details.

Quote:
At least she wasn't worried that it would get dark before she made it home.
Try to sound more sarcastic! You sound bland.

Quote:
But the perpetually cold air was starting to sink into her bones; even her the constant walking couldn't warm her enough.
Try not to start a paragraph with a conjunction, and if you write any sentence with a conjunction at the beginning, read it without it and see if it is stronger. Normally, it is. Sometimes you need the conjunction for feel, but lines are made stronger without them.

Quote:
Besides her thin jacket and jeans, she only had an old scarf to wrap around her neck.
Unless she's wrapping it around her stomach? ^_~

Quote:
They were just people after all. Frozen people.
Oh my gosh, really? Because I already knew that. Additionally, speak of the people in the past tense "as she came closer and closer she couldn't help wonder what they had been staring at." Since their frozen, consider them dead. It makes more sense/is scarier.

Quote:
Clarissa hesitantly stepped to the edge of group, and after a deep breath [comma] began to wedge her way in between the rigid bodies.


Quote:
she noticed how very warm they all still felt.
Very does not make warm sound warmer. Be more vivid, more descriptive, too. You only have one line about what they feel like to her. Do you realize how awesome this scene is? She's rubbing up against practically dead frozen people, but they're warm. This could be horrifying. But you vaguely brush over it, and it's not.

Quote:
If only slightly, this thought comforted her.
Cut this, or explain it better, and don't say "if only slightly". Even "Despite the fact that they scared her," is better.

Quote:
Something startling had taken place.
You seem not to trust your reader - as if I don't know that gasped faces equals something startling?

Quote:
Clarissa looked around the small circle of people, and found that most of them were looking to a bright young man standing amongst them.
"Bright, young man" is the most cliché phrase you could use her. "standing amongst them" is redundant, because I don't suppose he would be standing anywhere else, would he? Again, trust your reader!

Quote:
Something light and bubbly stirred inside her as she turned over the notion in her head.
Something light and bubbly sounds happy - I doubt that's what you were going for.

Quote:
Clarissa felt real. This one shred of strangeness had emptied her mind of everything, and for one fleeting moment she just felt.
You're probably trying to go for something amazing here, but it didn't work for me. Either explain that she didn't feel real earlier in the story, to make it a big deal that she feels now, or explain why she feels real now, other than "she felt". She was feeling before, too.

Quote:
She breathed deep and wrapped her scarf more snuggly around her neck. But as she turned her head something hit her smack dab in the face.
I would put a comma between "neck" and "but", but it would still be awkward.

Quote:
But as she turned her head something hit her smack dab in the face.

She stumbled back as it whipped across her whole face, and her head smacked hard into solid concrete. Clarissa inhaled sharply as she grabbed the back of her head. With her free hand she pulled away the piece of paper that had flown into her face, hot tears forming in her eyes.
I don't entirely understand the actions you're saying she does here... I can't visualize/understand what is going on.

Quote:
THE RED BOX CAFE

COME DINE OUT AND HAVE A NIGHT TO REMEMBER!

On the Corner of Elephant and Kings.
I love the wit. I really do. A night to remember, elephants, and kinds. ^_~ Beautiful.

Quote:
Thoughts were racing through her head at a rate nearly too fast to keep up
I think it would be effective to also explain some of her thoughts here, because the idea of thoughts racing is cliché but if you added something to it... I'm not sure, but it needs something else.

Quote:
Only three words held her attention now [colon] Red Box Cafe.


Quote:
After all, she was the only who wasn't frozen. Then another dark lump settled into her stomach. What if she was just crazy? What if she hadn't only lost her memories, but her sanity as well? She could imagine herself now, still sitting in Dr. Carmen's office, convulsing with hallucinations on the floor. She tried to push the thought away. It didn't seem possible that she was just imagining this. Then again, none of this seemed possible.
This is a lot better than "thoughts racing" - so why not cut the racing thoughts?

Quote:
Its gold letters stood out brightly against the dark red background [colon]

Hope[period]


Quote:
Something was willing her to go there. An invisible force was constantly nudging at her back, keeping each step coming one after another.
You're redundant again. Additionally, "keeping each step coming one after another" sounds strange, though I know what you mean, it just needs to be reworded.

Quote:
It was the only hope she had left.
Following the church, this sounds corny rather than deep, like you wanted it to. I would try to speak more from Clarissa's thoughts, in the way you have been, and say that she thought the church was telling her it was her hope or something, otherwise....Well, it's again like you think your reader won't get the HOPE sign is for Clarissa, or something, so perhaps you should just cut it entirely.

Quote:
A tired old woman sat hunched over the couch. With grave eyes and tear stained cheeks, she had her eyes fixed to carpet floor.
Reword: "A tired, old woman sat hunched over the couch." (I don't entirely understand how she is hunched, either.Leaning over it, or siting on it, or?) "Her grave eyes were fixed to the carpet, and her cheeks were stained with tears." Not the best rewriter, but you said eyes twice, and it didn't work.

Quote:
His face was contorted with a mixture of hate and rage.
Be more specific than "hate and rage".

Quote:
Clarissa felt rooted to the floor herself.


Quote:
It all seemed so pointless, so ignorant.
IMHO, those are the worst possible words you can use to describe this scene. I understand you're saying... the beating, or whatever, is pointless, but go at it more emotionally than that. It was unbelievable, how familial bonds could be so ruined by violence - only not so boring, as I put it.

Quote:
To the best of her knowledge she could have been worse off than these three little girls.
Cut this out. The previous sentence is the same thing.

Quote:
If only she could leave them something. [ellipse (...) then new paragraph] Without another thought, she went into kitchen and began searching through the drawers.


Quote:
Soon [comma] she found the pen and paper she needed.


Quote:
And there it was[colon] in bright neon lettering across the top of the first building were the words Red Box Café.
Not until now was the e accented, so I would suggest being consistent. ALT + 0201 is the É is that's what you need. ^_~

Quote:
All four walls were painted a deep red, so that it literally resembled a little colored box.
Er... no matter what side of a building you stand on, you cannot see all four walls. You might want to say that it was painted red, but not that all four walls are. That's...It defies the fact that we are in Clarisa's POV.

Quote:
Without knowing it Clarissa had already begun walking towards it.
This is like the clutching the paper thing. OK, people might do this in real life, but it sounds horribly stupid on paper.

Quote:
The letter “R” in the neon sign flickered on and off as she came closer.


Quote:
beside it became increasingly darker and more pronounced.


Quote:
Soon the tinted glass door was inches away from her, its long black handle begging to be pulled.
She was inches away from he tinted glass door, it's long black handle... Otherwise you have "her" and "its" close together and it's just strange.

Quote:
A buzz shot through her as she reached her hand out.
I'm not sure I know what you mean by a buzz - be more vivid.

Quote:
And She opened it the door.


Quote:
A musty smell of old table coverings filled her nostrils
What's a table covering?

Quote:
A little dust hung in the air around her.
"A little dust hanged in the air' sounds funny to me, but, er, hung is only for men, if you know what I mean? Generally, anyway...

Quote:
The register stood unattended by the far wall, with specials hung hanging up on a board behind it.


Quote:
. All at once the ache in her legs caught up with her, and as well as an overwhelming sense of fatigue came over her.


Quote:
Nothing, she thought bitterly. There is absolutely nothing.


Quote:
, or would you like to peruse our specials?
"Pursue our specials" is hilarious.

Quote:
How could this simple [comma] old man still be perfectly normal
You seem to forget adjective punctuation a lot, so keep that in mind.

Quote:
The funny looking old man came back [comma] rolling a small cart with a silver domed plate on top.


Quote:
He still wore that ridiculous smile as he walked over to her.


Woo, the end!

Alright, I complained about a lot of things above, and the parts I mentioned for part one apply to all the others. I just have a few more complaints, and compliments.

The scene with the children and the parents was chilling, and surreal. I think that was the best scene in this whole story. I'm incredebly upset with you, though, that we don't know what the paper says - what a cop out. I figured, I will wait, maybe it will come later, and it didn't. That's incredebly disappointing, because you play it as though it is such a big part of the story, and it isn't.

The ending, too, was an incredebly disappointment, I'm sorry to say. I feel like I was dragged through hell only to end up no where. You play scenes like the one with the children, as if to hint at what her life is really like, and I expect some amazing ending and... I didn't get that. I'm terribly sorry if I'm cruel, and horrible, and nasty, but I'm honest. I was plain disappointed. You take us through suspense, and horror, and suffering, and we get nothing. It's just not nice to your readers.

I'm not entirely sure if it is worth me going on about how you could clean up some of the scenes and add more suspense through setting, mood, more vivid imagery, etc, because if the ending is so....flat, then really all you are doing leading up to it isn't worth it. I feel horrible for saying this, because I know how horrible it is to work viciously hard on someone, and then have someone hate it. (I don't hate it - just the last line.)

I have no suggestions, either. I just think you cheated me, and your other readers. If you have any questions about anything I mentioned above, or would like more explanation, or even want to discuss things, feel free to pm me. Again, I'm sorry! But honesty is love?

_________________
I demand
you put my heart back in my hand,
and wipe it clean from the mess you made of me.
Back to top
View user's profile Send private message Visit poster's website AIM Address MSN Messenger
Display posts from previous:   
This thread was created on May 28, 2008
Post new topic   Reply to topic
   Young Writers Society Forum Index » Other Fiction All times are GMT
Page 1 of 1

 
Jump to:  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum
You can attach files in this forum
You can download files in this forum
This thread was created on May 28, 2008

Graphics By Bobo | YWS Sword & Shield Logo by Bobo
Bartemius says, It is not enough to do your best; you must know what to do, and THEN do your best. - W. Edwards Deming
Contact | Memberlist | Copyright Policy |