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A tale of an automaton



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Sun Jul 10, 2011 8:50 pm
creativemuse1 says...



Lady Lucas is restless. Bored with her marriage and her husband's friends, she tries to pass the time with ‘harmless’ activities. I sit next to her on the couch in the parlor while she tries to read the same book from yesterday. She plays with a loss curl near her right ear. She is not wearing her favorite silk gloves she received for her birthday as a gift from her father. Lady Lucas touches her neck as if something is crawling on it. It looks soft and beautiful, all freckled and pale. I wonder if it really is soft or is it hard and rubbery like mine’s. Her eyes are fixed on the book on her lap. She has been on the same page for three minutes and thirty seconds. Her hair is pinned up today. That, too, looks soft. It is red; a color I have never seen an English woman wear. It is too bright. I would suggest a more subtle color if only I could speak.

I glance across the room at Lord Lucas and his automaton servant, Rufus. I blink a few times. My eyes keep watering. I do not know if it is steam or oil about to spill out of them. I will have to see Silas about this. There are many calculations and tasks at hand Rufus and I have to do today. Sitting right now next to Lady Lucas is not one of them. Attending to Lord Lucas is not one of the chores Rufus had to do. Lord Lucas looks the same as any old, accomplished English gentleman anyone can come across in the street. But us, automatons, know better than to think he is normal. Think…Why would I say think? Again, I will have to see Silas about this.

Lord Lucas paces the dark, dreary room and occasionally looks out the window. I see beads of sweat on his forehead. He bites his nails; a habit Rufus was supposed to break Amos Lucas from doing. His shirt and vest has sweat stains around the armpits. His remaining hair is wild looking. I will need to see Silas about Rufus’ re-installments and his inability to complete tasks given to him. I close my eyes. I pinch my right ear. “Yes, Frances?” a voice enters my hearing box. It is Rufus. “Why is the master pacing like that?” I pose my question in my head. It sends to Rufus’ hearing box. “He is nervous. Important visitors are coming today. What is wrong with the lady?” “I can not say. That is all.” I pinch my right ear again with my gloved fingers, ending our conversation.

I open my eyes. I snap my fingers and the steam lights in the room come on. Lady Lucas looks up from her reading, blinking a couple of times from the sudden light change. We all can see clearly now. I can even see the color of Lady Lucas’ dress. It is a violet color which she despises but only wears it just to please her husband. For a moment, It seemed her eyes were on fire as she stared at Lord Lucas pacing across the room. I gaze at him too. His gray vest and trousers are dirty. It seems he hasn’t changed his clothing from yesterday. Again, that was Rufus’ job.

I can hear the ringing in my left ear. I pinch my ear. “It is Silas. The guests are here. Meet me in the gardens and bring Rufus with you too. Bennet, Ada, and Mildred will take care of everything.” Then, static. I glance at Rufus. He is staring back at me. “I know, Frances.” He gets up and stands in front of Lord Lucas, causing him to stop pacing. “Sir, the guests are here. Ada will check the kitchen and Bennet will escort them into this very room.” He says with his hands behind his back. I cross my hands on my lap. “Ah, Rufus. Yes, thank you. You and Frances may leave.” I notice Lady Lucas hasn’t looked up from her reading but I could tell she is listening. I get up, smooth my puffy dress and leave the room. I head toward the gardens in the backyard with Rufus trudging behind.

“Hello, Silas.” Rufus and I, together, greet him. Silas is sitting cross legged on Lady Lucas’ favorite roses. I am sure she will have a fit and blame one of us, automatons. Most likely, Rufus because she, for some odd cause, hates him. Silas stands up. “You know you are not supposed to mess with Constance’s flowers. She will be angry, not at you but at us. Please, think before doing.” I whisper so no one but Silas can hear me. He smirks at me. “All the household automatons will be re-installed starting with you and Rufus.” This was not supposed to happen. I do not need updates. I close my eyes and bow my head. “Rufus, go into the stable.” I hear shuffling footsteps. “Open, your beautiful, brown eyes and look at me, Dear Frances.” He speaks as he places his fingers on my chin; a means to force me to look at him. I do as I am told. Silas looks rugged and dirtier than usual. Yet, he can still look young and playful. “I have a few surprises for you, my dear.” My dear? Why is he calling me that? My name is Frances. I am not a dear. He touches my black pinned up hair. “Your hair is as dark as the night sky. You are even more beautiful than Constance.” I know he and Lady Lucas are having an affair. I saw those soft, pink lips kiss the lady’s tough, red ones. What is going on here?

While Silas works on Rufus in the stable, I sit on a concrete bench in the garden. At times, I want to ask Silas to put a feelings box inside me. He already put a conscious box in me. I can hear laughter spilling out of the open back door. I hear Jesse and David working vigorously in the kitchen preparing the humans’ dinner. I pull off a glove. My nails are long and they look smooth. I touch my face with my bare left hand. I realize I am wearing makeup. With a bang on the door, Rufus comes out of the stables looking….different, not what he was before; neutral. He looks, well, angry. He looks stern. His face and posture is the same expect for the expression. What did Silas do?
“Come, Frances.” Silas gestures for me to come into the stables. I do.

I walk out of the stables feeling different. No, Better, more human than automaton. I can really see, hear, smell, and touch items that I couldn’t before. I look at my reflection at the kitchen window. I look different. I have feelings and I can talk. My eyes, goodness, my eyes. I smell the cold, night air. It smells like sewers and horse manure. I cover my nose with my bare hands. I feel soft. So soft, like a newborn baby. A smile comes across my face. “Oh my goodness.” I speak. I turn around as Silas walks out of the stables. “It is almost time for the guess to leave for their own homes and families. When the clock strikes midnight, you all know what to do.” I nod. I know exactly what to do. He comes up to me and kisses me, politely, on the cheeks. I turn towards the house. I go into the library, waiting for midnight.

The grandfather clock strikes. I heard earlier that Lord and Lady Lucas are asleep. I stand up from my spot on the couch in the library, knife in hand. I smile. I know Rufus will be in the study, doing what he was told to do to Lord Lucas. I head up the stairs to the master bedroom of Lady Lucas. One of the automatons, Mary, prepared her for slumber. I enter the chamber. There is a faint light from the fireplace. I see a figure on the bed, under the covers. She is sound asleep, dreaming of anything sweet. She could be dreaming of Silas right now. That thought fills me with anger. The time is now. I must strike now. I go close to the side of the bed. I raise my knife and bring it down.

I do not hear her breathing anymore. I sit next to the fireplace, contemplating my actions. I can not reason why I did what I did. I feel the hot tears falling down my high cheekbones and down my chin. Why did I do it? Silas. It is his doing. He is controlling all the automatons. I head to the stables.

“Why, Silas, why did you make us do it?” I cry on his shoulder. He smoothes my back as I cry. We are on the stable floor. I can feel the hay sticking and clinging to my hand and my ankles. The hay is hurting me. I can hear Silas’ steady heartbeat. It is peaceful, beautiful. It sounds almost like the ocean. I want to lie there, on the stable floor with Silas, all night. I feel loved, cared about. I want to feel like this forever. Silas sings me a lullaby about a sad childhood. I don’t remember the ending because I fell asleep. He must have clicked one of my buttons. Now, all I see is nothing. I can not see anything, only blackness. I just can not believe I let the darkness control me. I must stop it.

Spoiler! :
It is pretty hard to put a word document onto this site. Sorry if it looks weird.
:)Life is full of hard times and good times. Lift your chin up, Ladies and Gentlemen.
  





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Sun Jul 10, 2011 11:06 pm
Charlie II says...



An intriguing short story.

I understand from your "spoiler" that you had some trouble with the formatting -- it looks pretty good to me actually, though you could probably do with some extra paragraphing to make things clearer. I'm sure there's a guide with some rules to follow on the site somewhere. I'll try to find it when I've finished the review.

(EDIT: Not quite what I was looking for, but this: http://www.youngwriterssociety.com/topic71089.html is pretty cool actually!)

1. Automaton "feel"

It's a bit like the automatons, really: a first person present tense narration feels peculiar and I'm not entirely sure it works. If you're aiming to give the work an unsettled steampunk feel then there may be better ways of achieving this. You had a brilliant idea with the phrase "three minutes and thirty seconds" because that really give a mechanical feel to the narrator -- I'd like to see more touches like this!

I also like the feel of sentences beginning with "she is" and "she is not", because that structure seems so robotic that it really strengthens the narrative as a whole. You clearly have good control of syntax with short sentences interspersed among long ones, so I think you could improve this quite nicely on your own.

2. Character development

I think this is an area to concentrate on. Even though they are automatons, and "humanity" only really comes along at the end, for them, I think the reader would like to understand the characters a little deeper. Also, you could use this to add greater contrast when they do gain "personalities" near the end of the piece.

Unfortunately, characters' names are introduced haphazardly. I had to reread some sentences in order to work out which characters you were talking about -- if you cleared this up then that would be a great help.

Frances has the most "character" to him, as he should, being the main character. I think Rufus also had a good shot at being interesting, and if you make a bit more out of the conflict between them then this should be easily achieved. Silas is introduced late and so doesn't really make sense -- perhaps you could talk about him even more earlier on in the work to build up his character too. Anecdotes from Frances could be a neat way to characterise both of them at the same time!

3. Plot

Now I can't really complain too much here because it is only a short piece of writing, but it would be nice to see this work grow into something bigger and better, and for that to happen it will need a bit more backbone.

What is the motivation for Silas' betrayal? Greed? Jealousy? Love?

Who are Lord and Lady Lucas? What do they do? Could any conflict happen "on screen", as it were, rather than being referred to by Frances?

What sort of (awesome!) alternate reality are they living in? Are automatons common, or rare, or newly invented?

4. Summary

As you can see by the number of questions, you've got quite a cloak of mystery shrouding this story at the moment. Now, don't get me wrong, you don't want to do a Tolkien and manufacture an entire world system for this, but it would be awesome to know a little more about the world in which this story is set.

You've got a good grasp of the tools of writing, and if you bear some of my rambling points in mind when you rewrite this then you should find you can create something even better! I look forwards to reading another draft.

Charlie
I am thankful for laughter, except when milk comes out of my nose.
-- Woody Allen
  





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Sat Jul 23, 2011 6:20 pm
JabberHut says...



Hi, Muse! How're things shakin'?

I enjoyed your story! It's a very neat idea. I don't read enough sci-fi to ease my hunger for androids, so this was quite enjoyable for me. There were some grammar and spelling mistakes, and I'm not planning on doing a spellcheck for you right now. If you want one, just send me a PM or note on my wall. I'd be happy to come back and do so. :)

The story itself, I had some questions at the end. I'm not sure if I was pleased with them though, mainly 'cause I can't figure out Silas' motivation for killing Lady Lucas. I also can't tell why Lady Lucas hates Rufus, aaaand there might have been others. Those are the only two that popped out to me. Questions I wish I had answers to!

You have a fabulous vocabulary. Your description of Lady Lucas is very clear, and even in other parts, your style was beautiful. I wonder if I missed something or if Lady Lucas' appearance was really significant to the story? There were so many details mentioned about how she looks, and I figured that there was a reason she was getting extra attention. My thought was maybe she was an android! But then she died at the end. xD So that idea failed!

So because of the extra description plus the questions I had, I felt the pace was really slow. Only 'cause it wasn't as interesting as it could have been! Perhaps instead of focusing on appearance, you could focus on how each character acts. I'd like to see a difference between Rufus and Frances. It sounds like there's supposed to be one (Lady Lucas hates Rufus, Silas was hitting on Frances, Frances has a conscience (not conscious ;)), etc.), I just can't tell. They're the same to me, and that makes me sad. D: Lady Lucas is probably the most prominent character, and I loved her. Now just the others need some life, especially Silas and the two automatrons.

That's all that came to mind while I read it. I apologize if I repeated anything Charlie said. I have a bad habit of not reading previous reviews if only to give an honest opinion! Besides the slight confusion I had, I really did enjoy this piece! There are some parts which shouldn't be a problem when editing. It may or may not take time, but you still have a good piece with great potential. I do hope you edit it (and maybe even post it?!). Let me know if you have any questions or anything! Great job!

Keep writing!

Jabber, the One and Only!
I make my own policies.
  





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Mon Jul 25, 2011 9:28 pm
Kafkaescence says...



There's a reason the formatting of this piece looks strange, and it's not (at least, I don't think it is) because of the Word Document to YWS transfer.

Actually, it's because of a little grammatical error that happened to slip by. The reason this looks so chunky is that when a new speaker appeared, instead of relocating the dialogue to a new line, you kept it in the same paragraph. No biggie, though! It's very easy to fix - each time someone new is talking (or telepathically talking, in this case), just move that piece of dialogue to the next line. You'll be surprised at how much more organized your story will look after that.

I was going to critique you on the fact that this is also fairly difficult to follow, but that could be because of the formatting issues (which I just pointed out) that are not yet rectified.

Despite this, I feel that it is worth mentioning that towards the middle of the story, the sudden barrage of new characters did manage to perturb me. I do have a feeling that spacing things out will, to an extent, cushion this. In fact, let's take a look at the paragraph in question having been edited:
Lord Lucas paces the dark, dreary room and occasionally looks out the window. I see beads of sweat on his forehead. He bites his nails, a habit Rufus was supposed to break Amos Lucas from doing. His shirt and vest has sweat stains around the armpits. His remaining hair is wild looking. I will need to see Silas about Rufus’ re-installments and his inability to complete tasks given to him. I close my eyes. I pinch my right ear.
(space here)
“Yes, Frances?” A voice enters my hearing box. It is Rufus.
(space here)
“Why is the master pacing like that?” I pose my question in my head. It sends to Rufus’ hearing box.
(space here)
“He is nervous. Important visitors are coming today. What is wrong with the lady?”
(space here)
“I can not say. That is all.” I pinch my right ear again with my gloved fingers, ending our conversation.

Now. Doesn't that look better?

Let's talk about your story. I'm wondering more and more about why Silas found it necessary to upgrade Rufus and Frances before they each were ordered to kill their masters. If Silas truly wanted Lord and Lady Lucas dead, then wouldn't it be easier for Rufus and Frances to kill them while still in a basic automaton body? Then they wouldn't be so emotionally conflicted after and during the murder they were assigned to perform. All things considered, it seems like it would have gone much more smoothly if Rufus and Frances weren't granted emotions, which could have quite possibly jeopardized the whole enterprise.

It didn't seem like the ending fit, either. It appeared to me as abrupt and, frankly, a bit halfhazard. There wasn't anything leading up to Frances' death (If death it was; it could just as easily have been falling asleep. You'll definitely need to clear that up.) - if you were trying to moralize that anything attempting to recreate the human soul inevitably leads to breakdown, then you should have made more clear the fact that it was the falseness of their humanity, and not a button, that led Frances to fall asleep/die. In fact, the button simply symbolizes her inhuman nature, which would imply, incorrectly, that her distorted nature was not what defeated her, which would in turn crush any final moral of the story.

I blink a few times. My eyes keep watering. I do not know if it is steam or oil about to spill out of them. I will have to see Silas about this.

What's this? No doubt an allusion at tears? But what would she be crying about?

And it's funny that you say "watering," when the only candidates presented are oil, a non-water substance, and steam, which isn't even of the same form as liquid water.

In conclusion, it felt like the symbols tossed about throughout this story were fine as individual icons, but failed to interlock and form a cohesive moral. Everything was just kind of thrown together and hoped to work. If you expanded this story a bit, I think perhaps you could discover what it truly was this story endeavored to accomplish, and communicate it more powerfully.

As it stands, though, this wasn't bad.

Keep writing.

-Kafka
#TNT

WRFF
  





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Wed Oct 12, 2011 1:40 am
Cspr says...



First impression (based off first paragraph): Catches me pretty good. I like how it starts in media res. I get a feel for the character from how I see Lady Lucas and I already wonder how their relationship will change as the story progresses. As for typos, I noticed that 'loss' should be 'loose' and 'mine's' should be 'mine'. I have corrected these issues in the spoiler below. However, I am confused by Lady Lucas. Normally the name after lady is the person's first name, not a surname. I have known of a woman named Jackson, though, so maybe I shouldn't judge?

Also, in the spoiler I have added symbols like this (?) wherever I have a question or am confused by phrasing/the sentence(s) is/aren't clear.

Note: When you have a name that ends with an s like Rufus that isn't an old name like Jesus, you tack on an s after the apostrophe. Rufus's. Lucas's.

Overall: There were a few grammar errors and the flow was a bit jumpy, but worked in an off-kilter sort of way. Otherwise, I quite enjoyed this. It was dark and sort of steampunk-like; very uncertain and with an odd hint of romanticism that I'm not sure isn't romance in the way black humor is humor. Otherwise, it was a good read with an intriguing premise, one I don't often see used outside of straight-laced skiffy.

One last suggestion: Capitalize important words in the title. A Tale of an Automaton.

I've included all edits in the spoiler.

Spoiler! :
Lady Lucas is restless. Bored with her marriage and her husband's friends, she tries to pass the time with ‘harmless’ activities. I sit next to her on the couch in the parlor while she tries to read the same book from yesterday. She plays with a loose curl near her right ear. She is not wearing her favorite silk gloves she received for her birthday as a gift from her father. Lady Lucas touches her neck as if something is crawling on it. It looks soft and beautiful, all freckled and pale. I wonder if it really is soft or is it hard and rubbery like mine. Her eyes are fixed on the book on her lap. She has been on the same page for three minutes and thirty seconds. Her hair is pinned up today. That, too, looks soft. It is red; a color I have never seen an English woman wear. It is too bright. I would suggest a more subtle color if only I could speak.

I glance across the room at Lord Lucas and his automaton servant, Rufus. I blink a few times. My eyes keep watering. I do not know if it is steam or oil about to spill out of them. I will have to see Silas about this. There are many calculations and tasks at hand Rufus and I have to do today. Sitting right now next to Lady Lucas is not one of them. Attending to Lord Lucas is not one of the chores Rufus had to do. Lord Lucas looks the same as any old, accomplished English gentleman anyone can come across in the street. But us, automatons, know better than to think he is normal. (?) Think . . . Why would I say think? Again, I will have to see Silas about this. (?)

Lord Lucas paces the dark, dreary room and occasionally looks out the window. I see beads of sweat on his forehead. He bites his nails; a habit Rufus was supposed to break Amos Lucas from doing. His shirt and vest has sweat stains around the armpits. His remaining hair is wild looking. I will need to see Silas about Rufus’s re-installments and his inability to complete tasks given to him. I close my eyes. I pinch my right ear.
“Yes, Frances?” A voice enters my hearing box. It is Rufus.
“Why is the master pacing like that?” I pose my question in my head. It sends to Rufus’ hearing box.
“He is nervous. Important visitors are coming today. What is wrong with the lady?”
“I can not say. That is all.” I pinch my right ear again with my gloved fingers, ending our conversation.

I open my eyes. I snap my fingers and the steam lights in the room come on. Lady Lucas looks up from her reading, blinking a couple of times from the sudden light change. We all can see clearly now. I can even see the color of Lady Lucas’s dress. It is a violet color which she despises but only wears to please her husband. For a moment, it seemed her eyes were on fire as she stared at Lord Lucas pacing across the room. I gaze at him too. His gray vest and trousers are dirty. It seems he hasn’t changed his clothing from yesterday. Again, that was Rufus’s job.

I can hear ringing in my left ear. I pinch my ear.
“It is Silas. The guests are here. Meet me in the gardens and bring Rufus with you too. Bennet, Ada, and Mildred will take care of everything.” Then, static.
I glance at Rufus. He is staring back at me.
“I know, Frances.” He gets up and stands in front of Lord Lucas, causing him to stop pacing. “Sir, the guests are here. Ada will check the kitchen and Bennet will escort them into this very room,” he says with his hands behind his back.
I cross my hands on my lap.
“Ah, Rufus. Yes, thank you. You and Frances may leave.” I notice Lady Lucas hasn’t looked up from her reading but I can tell she is listening. I get up, smooth my puffy dress, and leave the room. I head toward the gardens in the backyard with Rufus trudging behind.

“Hello, Silas.” Rufus and I, together, greet him.
Silas is sitting cross legged on Lady Lucas’s favorite roses. I am sure she will have a fit and blame one of us automatons. Most likely, Rufus because she, for some odd cause, hates him. Silas stands up.
“You know you are not supposed to mess with Constance’s flowers. She will be angry, not at you but at us. Please, think before doing,” I whisper so no one but Silas can hear me.
He smirks at me. “All the household automatons will be re-installed starting with you and Rufus.”
This was not supposed to happen. I do not need updates. I close my eyes and bow my head. “Rufus, go into the stable.” I hear shuffling footsteps.
“Open, your beautiful, brown eyes and look at me, dear Frances,” he speaks as he places his fingers on my chin; a means to force me to look at him. I do as I am told. Silas looks rugged and dirtier than usual. Yet, he can still look young and playful. “I have a few surprises for you, my dear.” My dear? Why is he calling me that? My name is Frances. I am not a dear. He touches my black pinned up hair. “Your hair is as dark as the night sky. You are even more beautiful than Constance.” I know he and Lady Lucas are having an affair. I saw those soft, pink lips kiss the lady’s tough, red ones. What is going on here?

While Silas works on Rufus in the stable, I sit on a concrete bench in the garden. At times, I want to ask Silas to put a feelings box inside me. He already put a conscious box in me. I can hear laughter spilling out of the open back door. I hear Jesse and David working vigorously in the kitchen preparing the humans’ dinner. I pull off a glove. My nails are long and they look smooth. I touch my face with my bare left hand. I realize I am wearing makeup. With a bang on the door, Rufus comes out of the stables looking . . . different, not what he was before; neutral. He looks, well, angry. He looks stern. His face and posture is the same expect for the expression. What did Silas do?

“Come, Frances.” Silas gestures for me to come into the stables. I do.

I walk out of the stables feeling different. No, Better, more human than automaton. I can really see, hear, smell, and touch items that I couldn’t before. I look at my reflection at the kitchen window. I look different. I have feelings and I can talk. My eyes, goodness, my eyes. I smell the cold, night air. It smells like sewers and horse manure. I cover my nose with my bare hands. I feel soft. So soft, like a newborn baby. A smile comes across my face.
“Oh my goodness,” I speak.
I turn around as Silas walks out of the stables. “It is almost time for the guess to leave for their own homes and families. When the clock strikes midnight, you all know what to do.”
I nod. I know exactly what to do. He comes up to me and kisses me, politely, on the cheeks. I turn towards the house. I go into the library, waiting for midnight.

The grandfather clock strikes. I heard earlier that Lord and Lady Lucas are asleep. I stand up from my spot on the couch in the library, knife in hand. I smile. I know Rufus will be in the study, doing what he was told to do to Lord Lucas. I head up the stairs to the master bedroom of Lady Lucas. One of the automatons, Mary, prepared her for slumber. I enter the chamber. There is a faint light from the fireplace. I see a figure on the bed, under the covers. She is sound asleep, dreaming of anything sweet. She could be dreaming of Silas right now. That thought fills me with anger. The time is now. I must strike now. I go close to the side of the bed. I raise my knife and bring it down.

I do not hear her breathing anymore. I sit next to the fireplace, contemplating my actions. I can not reason why I did what I did. I feel the hot tears falling down my high cheekbones and down my chin. Why did I do it? Silas. It is his doing. He is controlling all the automatons. I head to the stables.

“Why, Silas, why did you make us do it?” I cry on his shoulder.
He smoothes my back as I cry. We are on the stable floor. I can feel the hay sticking and clinging to my hand and my ankles. The hay is hurting me. I can hear Silas’ steady heartbeat. It is peaceful, beautiful. It sounds almost like the ocean. I want to lie there, on the stable floor with Silas, all night. I feel loved, cared about. I want to feel like this forever. Silas sings me a lullaby about a sad childhood. I don’t remember the ending because I fell asleep. He must have clicked one of my buttons. Now, all I see is nothing. I can not see anything, only blackness. I just cannot believe I let the darkness control me. I must stop it.
My SPD senses are tingling.
  








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— BluesClues